There are photos of two different instruments there... one with a walnut back, one showing a maple back with a thin walnut 'racing stripe'. One with a maple fretboard, the other with a walnut fretboard.
Interesting marketing, that's for sure. Personally, on the rare occasion that I hammer my MD I just use a wooden chopstick...
So, has anyone ever heard of or used a hammer specifically designed for the mountain dulcimer?
Even better is that although it's 10 years old, he sold it as new / unplayed. Never left it's case.......
Looks like it's maple top. sides, and fretboard, walnut back and scroll?
Look like this is missing the 6 1/2 fret, so now I have one of each fret layout.
Yeah, I'd agree that's a special dulcimer! Congratulations!
Holy moley thats a beautiful instrument!!!!!!!!!!!
Outstanding! I'd say you stole it! Congratulations.
It's official. I'm out of control! My first purchase won't arrive until tomorrow, and I have made my second purchase moments ago. I truly was in no rush, but then saw a nice special looking MD on eBay that looked like it was going to go cheap. It did! I'm no Dulcimer expert being a beginner, but I think I stole it I hope no one here was bidding on it too?
Not much info on the "deceased" builder, but can tell from the construction that he must have been great. Fred T Wellborn?
Paid $161 with a hard case. Here's a quick peek! And yesy, more flamed maple.
Welcome to the FOTMD community. As you have already discovered, you will receive a warm welcome and friendly advice on this forum. This community will continue to welcome your questions and suggestions, and we will do our best to make you keep coming back for more.
While I have no personal experience with your dulcimer maker, his dulcimers sure look sweet. I'm sure your new dulcimer will serve you well and provide you with many hours of joy.
Thanks so much for the warm welcome everyone. That's a breath of fresh air compared to some of the hobby forums I visit. I have not received the dulcimer yet but the anticipation is great. I've been intriuged since first seeing one about 45 years ago on a episode of "The Walton's". My God, has it been 45 years?
Any way, thanks for not scolding. I know as a beginner, that was not the standard path. However I do appreciate finely crafted pieces using choice woods. I just had to have it. I made a offer that brought the price down to almost what a standard McSpadden goes for, and he accepted, so I jumped. I'm already thinking about another.
I came here as a so so struggling guitar player. So I'm familiar with strumming. fretting, and musical concepts, but of coarse, know little about the dulcimer.
Ken, I'm going to read that article right now! Do some of you that know of Richard, ever heard his dulcimers? Just curious which way the sound leans. Modern / traditional.... It doesn't much matter to me as which ever way it goes, I'll compliment it with another that leans the other way!
Welcome to our musical family. Great purchase as a first instrument. Here's link to an article I wrote several years back for folks in your position
https://fotmd.com/strumelia/group_discuss/2316/ken-hulmes-i-just-got-a-dulcimer-now-what-article
The article is called I Just Got A Dulcimer, Now What? It's an illustrated glossary of dulcimer terms, so we all talk the same jargon, plus answers to many beginner questions about tuning, playing, care and feeding of your new best friend.
Enjoy your journey -- you're in for a fabulous ride!
Yes, Richard builds some nice instruments! If you're interested in hearing him, although not playing dulcimers, he and Tom Fellenbaum (another builder of wonderful dulcimers) are the alternating hosts of Celtic Winds on WNCW here in western North Carolina every Sunday from Noon-3pm Eastern. You can listen live at wncw.org or through several apps. They play some great music, and very occasionally you'll hear some dulcimer, too!
That sure is a pretty instrument-- happy strumming!
Congratulations on your purchase. That is a beautiful dulcimer. I know you will enjoy it for a long time
That is a beautiful instrument. Enjoy and have fun playing it (which I am sure you will). Richard makes wonderful instruments.
Ken
"The dulcimer sings a sweet song."
The answer is dependent upon the size of your fingers and hands. In general, larger hands are more comfortable with a longer VSL and smaller hands are more comfortable with a shorter VSL. However, the space between strings can also be a factor. If your fingers are long or fat/stubby, a longer VSL and a wider fingerboard and string spacing is more comfortable. If your fingers are short or thin, the width of the fingerboard is less of a factor but you might find a shorter VSL more comfortable.
For the most part, assuming your hands and fingers are a good fit, switching back and forth with dulcimers having a difference in VSL does not usually cause a problem. The left hand can usually adjust to the minor differences fairly easily.
That dulcimer looks like a keeper! Congratulations and enjoy!
As @Robert-Schuler explains, it is easier to finger certain chords on smaller dulcimers, which is why my main dulcimer now has a 25" VSL. But there is also a trade-off, as shorter strings in general have less sustain.
Less sustain is not necessarily true. My 26" vsl models tunes to dadd pitch two inches sooner than a 28" vsl so there is less tension on the strings allowing for sustain. There is a lot less chance for string breakage as well. ..Robert
That looks like a mighty fine instrument, @Wmacky. Really beautiful.
Congratulations, @Wmacky. I'm sure you'll make that dulcimer sing in no time. Do you have any pictures to share?
(By the way, I think the name is Richard Beard , though I'm sure he eats bread every now and then. 
)
Haha Yes Beard!
Here are some pics.
Congratulations, @Wmacky. I'm sure you'll make that dulcimer sing in no time. Do you have any pictures to share?
(By the way, I think the name is Richard Beard , though I'm sure he eats bread every now and then. )
Well I did it. I purchased a new Dulcimer and will learn to play it! I looked at the usual big production units, and thought I had decided, but then found a small production dulcimer from a individual Luthier. The Luithier does not seem to be well known to the dulcimer community, (Richard Bread?). Research shows he make excellent guitars, and Mandolins with Very glowing reviews. I guess the negative would be resell value compared to better know instruments? The positive seemed to be a lot of deluxe features and upgrades for the same price as a "regular" upper end standard Mcspadden.
This one comes with a red cedar top, highly flamed Maple sides and book-matched back. Walnut scroll , end block, and fingerboard, ebony fret-board, ebony tipped Grover tuning keys, and a high gloss polished lacquer finish. It's quite striking! :-) This was a internet purchase but with a 14 day return period.
I start out with some scales as Dusty suggested and prctice those for no more than 10 minutes. Often only 5 just to warm up my fingers. Then I quicly play a couple songs I know and like. Then I go to a song I'm learning or one I find very difficult. I repeat small sections of the song, especially the measures giving me trouble. When I get tired of that or frustrated, I stop and play songs I like or are on the playlist of my dulcimer group. I always end with playing something I really like. But some days I just play and don't "practice."
I like variety, too, and try playing the same song in different styles. Dulcinina
Though I'm a by-ear noter/drone player, I think my approach to bringing variety to practice would work for anyone no matter the style. I like to try different, really different types of picks or even fingerpicking on tunes to give variety to the sounds which can be got from a single tune. It may not be to everyone's liking as an exercise, I imagine, but I also like to know the essence of a tune so well I can vary the tune slightly each time I play it through.
Thanks so much for the replies! And Dusty the video is wonderful! I had just started working on scales and this will be a definite help! Strumelia, I have trouble playing with feeling. I try, but it seems to be a rare occasion when I actually "feel" it. Someone told me long ago that you've learned a song once you can play it 3 times through at the correct tempo with no mistakes and that, to me, is becoming very boring and frustrating. Mandy, I'm going to try the index card idea. It sounds fun and I'm sure will definitely break up the monotony! Dusty, I agree with the "don't put the dulcimer down when you're frustrated" theory also. I'd been doing that quite often since after I ran through all the other tunes I'm a bit tired when I start working on the new one. So for now I start out with practicing scales then play just one or two songs I know, then start in on the new one, and finish up with Rosin the Beau or Wildwood Flower, ones that bring me joy and I know that I play pretty well and it really does make a difference when you walk away from it. Thanks again! I wish more people would post how they practice also because the ideas coming in will keep us from being bored for quite some time...lol 
I confess my time available for practice gives me too little review time and tends toward program needs and a song or songs matching themes coming up at our local folklore society. I use the group's monthly themes to try new material. The later in the list, the better the amount of time spent on the song.
To add to my guilt, I have more than just MDs I should be playing/practicing.
To paraphrase a popular quote about books: So many instruments, so little practice time.
Yes, it all comes down to prioritizing, which also shows why I'm not a musician, but a storyteller who dabbles in music.
This is not saying I won't try to apply some of the ideas offered here. After all that's the benefit of FOTMD.
There are two ways to reach DAD from GDG.
You can use heavier strings to go DOWN to standard DAd tuning. A McSpadden Ginger has a 23 and 6/15" VSL. With the recommended string sizes of .012, .016 and .026 it tunes very nicely to DAd in the same octave as a standard-sized dulcimer.
Or you can go UP to the higher octave. A Ron Ewing dulcimette has an 18" VSL. With .010, .012 and .020 strings it can tune to DAD one octave above standard. But that's high tension -- I usually tune my dulcimette down to C or Bb instead of D -- so I have doubts about taking a 22-inch VSL to the high octave unless you use very light strings (.009?).
At 22 and 1/8 inches, your backpacker can probably take Ginger strings and tuning. I suppose I should ask the obvious questions: have you tried taking your current strings and tuning them down to DAd? What happens? Are they a little floppy or a total disaster? Have you contacted Cedar Creek and asked them about strings for DAd?
ETA: Folkcraft's FolkRoots Travel Dulcimer has a 22" VSL and uses .012, .015 and .024 for DAD in the standard octave. There you go.
For what it's worth, I'm building an 18" vsl Octave dulcimer and Ron Ewing recommended, for DAD tuning, that I use 10, 14, and 20 ga. strings. I'll let you know who it works when I finish it.
Do you know the string gauge of your strings?
Don, others have asked this question, too, assuming that the small differences in distances between frets would pose problems. But I've never found it to be a problem. I do think it helps that I tend to look at the fretboard rather than tablature when I play, but I think you'll get used to whatever instruments you play. I regularly play instruments whose VSLs range from 17" on an octave dulcimer to 28-1/2" on one I string as a baritone.
As @Robert-Schuler explains, it is easier to finger certain chords on smaller dulcimers, which is why my main dulcimer now has a 25" VSL. But there is also a trade-off, as shorter strings in general have less sustain.
